by Ambreen Hai
No screams, no tears, no pleas could avail. She had lost her baby as surely, as heartlessly, as the cat deprived of its kittens, the ewe of its lamb, the cow of its calf.
Read MoreVladimir Propp theorized there were 31 basic storytelling elements in every Russian fairy tale. Leo Tolstoy said only two stories existed: a hero goes on a journey or a stranger comes to town. Whether the roots are in Hans Christian Anderson, Ovid, Homer, or Greek myths, we want all your retellings. Choose a favorite villain and tell their side of the story. Reinterpret scenes from religious texts or write an ancient tale in a modern setting. Give new meaning to an old story.
Think Madeline Miller’s The Song of Achilles. Think Anna Maria Hong’s H&G, Gregory Maguire’s The Life and Times of the Wicked Witch of the West, Malinda Lo’s Ash, or Sue Monk Kidd’s The Book of Longings.
Rewind. Press pause. Revise. Rewrite.
“There is no such thing as a new idea. We simply take a lot of old ideas and put them into a sort of mental kaleidoscope. We give them a turn and they make new and curious combinations. We keep on turning and making new combinations indefinitely; but they are the same old pieces of colored glass that have been in use through all the ages.”
—Mark Twain
by Ambreen Hai
No screams, no tears, no pleas could avail. She had lost her baby as surely, as heartlessly, as the cat deprived of its kittens, the ewe of its lamb, the cow of its calf.
Read Moreby Libby Copa
as children he would sneak behind trees in the woods and turn over rocks, watch the mealworms and
centipedes he found underneath scurry for a new place to hide
by Kelly Ann Jacobson
Has she read these tomes—
these tombs
of what’s been lost…
…and what you’ve taken?
by Claire Schultz
He’d followed her down that same long, dark path, crushed under the waves past the center of the earth, and he hadn’t died. Maybe he was lucky. Maybe their love was fated, cosmic, too strong to be broken by something as mundane as death. Maybe the shadows down here had known.
Read Moreby Samuel Clark
I know that I’m in an inside-outside place because that’s where the boy comes from. The real inside. He splits the doors down the middle and steps out with his watering can, a dusty blue, and pours water into the dirt packed inside me for the flower inside me. He holds one of our leaves and says, “You’re my favorite,” and I don’t hear him say it to any of the other pots or any of their flowers, so I know that he’s telling the truth.
“You’re my favorite too,” I say, which is also the truth, but the boy says nothing back. This is the tragedy of our relationship—that he cannot hear me, but that I can hear him.